Soccer

Bal Harbour Village Marks 80 Years with a Giant Soccer Ball Sculpture

British artist Jon‑Paul Wheatley’s ‘Badly Drawn Ball’ lands on the beach, sparking dialogue between art, sport and the coastal landscape

Bal Harbour Village is turning eight decades of luxury and design into a celebration that reaches beyond its boutique corridors and onto the sand, inviting residents and visitors alike to experience a new kind of public artwork.

Art Meets the Atlantic

At the heart of the commemoration is a monumental work by British sculptor Jon‑Paul Wheatley, whose oversized ‘Badly Drawn Ball’ now dominates the shoreline. The piece, originally unveiled inside the village’s high‑end retail hub, was carefully moved to the public beach where it will remain on view until July 27, inviting passersby to pause between shopping and sunbathing.

Wheatley, founder of the internationally recognised design studio 12 Pentagons, is known for blurring the line between collectible graphics and fine‑art sculpture. His collaborations with governing bodies such as FIFA, sportswear giant Adidas and heritage fashion house Burberry have helped shape a visual language that merges football culture with contemporary design.

The relocation to the beach is not merely logistical; it creates a conversation between the geometric precision of the sculpture and the organic rhythm of waves, a dialogue that mirrors Miami’s own blend of cosmopolitan polish and natural beauty.

Local officials say the installation underscores the village’s commitment to public art, positioning the area as a destination where high‑end retail, artistic innovation and community engagement intersect.

Beyond the static display, Wheatley has announced a summer‑long programme that includes a multi‑city exhibition with The Hoxton, a global competition that asks participants to redraw a soccer ball from memory, and a series of talks that explore the future of collectible design.

For visitors, the work offers a rare chance to experience a piece that is simultaneously a tribute to sport, a commentary on consumer culture and a statement about place, all set against the backdrop of a sun‑kissed shoreline.

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